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Experientia is proud to announce the official launch of Humin, a programme developed for Flemish SMEs and start‐ups that creates competitive advantage through people-centred innovation.
In May-June last year Experientia (in collaboration with Richard Eisermann of Prospect and Tjeu Arits of Arits Consulting) worked intensively with the City of Genk, Belgium, to set out the project vision and prepare all the application documents in order to gain Flemish Government/ERDF funding. Meanwhile, the project was evaluated positively and yesterday it was officially launched. From the launch press release:
The project manager is Dany Snokx, who worked for 11 years at Philips Design in Eindhoven, and for past four years was engaged as creative director for Philips Lighting. The bilingual (Dutch/English) humin.be website provides plenty of background information. |
| Posts in category 'Genk' |
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20 May 2009
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17 July 2008
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If you are interested in the elderly, two interesting UK studies were published this week.
The first report, “Living in the 21st century: older people in England” (press release – study download) presents a major longitudinal study (316 pages) about the reality of ageing in England. It covers employment, material well-being and poverty, health, quality of life and independent living. (via FutureLab) The second study, entitled “Don’t stop me now – Preparing for an ageing population“, (press release – study download) illustrates how unprepared the UK Councils are for this ageing population.
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13 July 2008
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| I just wrote a long article on Core77 on the international three-day Changing the Change conference “on the role and potential of design research in the transition towards sustainability”, which just ended here in Turin, Italy. |
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18 May 2008
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| The Danish programme for user-driven innovation (English summary) aims to strengthen the diffusion of methods for user-driven innovation, and to contribute to increased growth in the participating companies, and to increased user satisfaction and/or increased efficiency in participating public institutions.
The programme should also result in the development of new products, services, and concepts. Finally, the programme should increase the qualifications of employees to take part in the innovation processes in the participating companies and public institutions. The programme, which has a yearly budget of DKK 100 million (13.4 million euro or 20.9 million USD) and runs for four years, 2007-2010, is administered by Danish Enterprise and Construction Authority, which is part of the Danish Ministry for Economic and Business Affairs. The activities are grouped in three areas: strategic, regional, and other important areas. The strategic effort concerns three broad thematic areas: (1) areas where Denmark has particular business skills (e.g. environment and energy technology, construction, health, design and food); (2) cross-sectoral issues relating to social problems with promising market potential (e.g. healthy and energy saving construction, or fighting obesity); and (3) welfare areas, in particular where the citizen interacts with the public sector (e.g. care for children and elderly citizens and the health sector). Fifteen projects are currently running:
The regional effort ensures that knowledge of and experience with methods for user-driven innovation is disseminated throughout the country. Regional actors in each of the country’s six geographic regions organise a yearly project in their region:
The third area of effort covers applications from projects that work with any other important issues, businesses and institutions, notd covered by the strategic or regional effort, such as the 180º Academy and the Copenhagen Institute of Interaction Design. More info: |
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13 May 2008
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| The three-day Changing the Change conference, which is about the role of design research in sustainable change and scheduled for 10-12 July in Turin, Italy, looks to become very interesting indeed.
The list of invited speakers and discussants features Bill Moggridge (IDEO); Geetha Narayanan (Srishti School of Art, Design and Technology, India); Lou Yongqi (Tongji University, China); Mugendi M. Rithaa (Cape Peninsula University of Technology, South Africa); Aguinaldo dos Santos (Universidade Federal do Paraná, Brazil); Fumi Masuda (designer, Japan), Chris Ryan (University of Melbourne, Australia); Luisa Collina (Polytechnic University of Milan, Italy); Josephine Green (Philips Design); Roberto Bartholo (Federal University of Rio de Janeiro, Brazil), Anna Meroni (Polytechnic University of Milan, Italy), Luigi Bistagnino (Polytechnic University of Turin, Italy); Nigel Cross (The Open University, UK); Victor Margolin (University of Illinois at Chicago, USA); and Ken Friedman (Danmarks Designskole, Denmark) No less than 163 abstracts have been accepted, including our own. Take a look at the titles and the presenters to get an idea of the variety on offer, all within the wider theme of design for sustainability, or read a reflection on the selection by conference chair Ezio Manzini. The topics sound great and I will enjoy attending, but I have to point out that the large majority of the papers come from academic institutions. In fact, there are only a handful of major companies (Intel and Philips) and design consultancies (such as Experientia) involved. This is something bound to be different at another major international conference scheduled in Turin, Italy, the UPA Europe 2008 conference, taking place in December. Conference co-chair (and my business partner) Michele Visciola told me that many major international companies have submitted papers for this conference with the theme “usability and design: cultivating diversity”. More is to follow soon. |
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24 April 2008
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| Design Flanders and Flanders In Shape organise a one-day conference and intensive training on user-centred design in the Flemish Parliament in Brussels on 22 May.
Experientia’s Jan-Christoph Zoels and Mark Vanderbeeken (the author of this blog) are in charge of the afternoon workshop on ethnography. The event web page explains the importance of empathy in the creation of a successful user experience and stresses the relevance of a user-centred design for small and medium size companies. The day will start off with a series of presentations:
The afternoon will feature four parallel workshops:
Patricia Ceysens, Flemish Minister of Economy, Enterprise, Science, Innovation and Foreign Trade, will provide the closing speech. Programme and registration: www.ucd.be |
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24 April 2008
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The German government just announced a high level initiative for universal and transgenerational design to archive world leadership in the production of innovative products for the elderly including innovation strategies, product and service development, design school projects, and a universal design network.
As stated on the website of the German Ministry of Family, Senior Citizens, Women and Youth, the aim is to enlarge the potential that senior citizens can provide to the economy, by developing new products and services for the elderly, which in turn can secure existing jobs and create new ones, and by making companies (in construction, interior design, technology, information design, tourism, etc.) aware of the enormous opportunities by this future trend and supporting them with new ideas. A press release dated 23 April 2008, gives more detail about the initiatives planned:
The initiative will initially run until 2010. Here are some other German language links: |
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17 April 2008
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23 March 2008
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Last week’s Budget and two policy documents have put design firmly at the heart of the Government’s innovation strategy, reports Emily Pacey in mad.co.uk.
An article on Science|Business provides more background:
(via Niti Bhan on Core77) |
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12 March 2008
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The UK government is aiming to make the country a global leader in the arts, media and advertising through initiatives including the creation of thousands of new apprenticeships and the launch of a Davos-style world creative business conference.
Prime Minister Gordon Brown and the culture secretary, Andy Burnham, unveiled the action plan, Creative Britain: New Talents for the New Economy, in what the government is labelling the first-ever comprehensive, state-supported plan to move the creative industries from the “margins to the mainstream of economic and policy thinking” in the UK. The action plan [which was welcomed by the design industry] outlines 26 commitments for both government and the creative industries to nurture talent, create jobs and to drive the UK’s international competitiveness. One of the initiatives is to develop a new annual World Creative Business Conference that will act as the “centrepiece” of an international push to make the UK the “world’s creative hub”. – Read full story [The Guardian] (via Richard Florida) |
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27 February 2008
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I recently interviewed Prof. Yrjö Sotamaa, President of the University of Art and Design Helsinki.
Sotamaa is the man behind the initiative to start a new Innovation University in Finland, by bringing together three Finnish top universities: the University of Art and Design Helsinki (TAIK), the Helsinki University of Technology (TKK), and the Helsinki School of Economics (HSE). The goal for the new university, due to start in August 2009, is to be one of the leading institutions in the world in terms of research and education in the field of technology, business studies and art and design. The initiative is a much bigger and ambitious version of a general multidisciplinary approach that is currently also being implemented in some other major centres of education. Design-London at RCA-Imperial will create an ‘innovation triangle’ between design (represented by the Royal College of Art), engineering and technology (represented by Imperial College Faculty of Engineering), and the business of innovation (represented by Imperial’s Tanaka Business School). Carnegie Mellon University puts design, engineering, and business students into teams to work on projects. And the University of Toronto’s Rotman School of Management pairs MBAs with design students in product development classes. Classes for the 22,000 students will be in English, in order to attract students from all over the world (many of whom might end up working again for that famous Finnish multinational, Nokia, who is one of the sponsors of the initiative). What is interesting too, is their radical choice for a human-centred, multidisciplinary, and prototyping approach. |
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18 February 2008
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Three publications by NESTA (the UK’s National Endowment for Science, Technology and the Arts) examine the role of the creative industries.
Beyond the creative industries maps the state of the creative economy in the United Kingdom, and measures their contribution to economic activity. Creating innovation presents the results of major new research into the role of the creative industries in stimulating and supporting innovation in the UK. The research investigates and quantifies how artistic and creative activities link into the wider economy. Making policy for the creative economy finally explains what it means for the UK to start thinking of itself as a ‘creative economy’ rather than a set of ‘creative industries’. |
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29 January 2008
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“Transformers – how local areas innovate to address changing social needs” is a new report by the UK National Endowment for Science, Technology and the Arts (NESTA) that explores why some places innovate more effectively than others.
Taking a series of case studies – drawn from the UK and internationally (including Lille, France; Gouda, Netherlands; and Portland, USA) – as a starting point, this report draws some fascinating conclusions about the factors common to success. Above all, it clearly shows that innovative capacity can be nurtured, even in unpromising circumstances. Overall, three critical factors are identified as essential to successful innovation – the will to change, strong internal capacity, and external resources and feedback. The report builds a strong working model based on these three factors, and shows how it can be applied to a variety of situations, from community organisations to frontline services. - Press release |
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18 January 2008
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Demos, the UK think tank “for everyday democracy”, has published a new report on “self-directed public services”, entitled “Making It Personal“.
Charles Leadbeater is a Demos Associate, author of We-Think, a visiting fellow at NESTA, the National Endowment for Science Technology and the Arts, and a partner in the new start-up Participle (the other partners are Hilary Cottam and Colin Burns). The two other authors, Jamie Bartlett and Niamh Gallagher, are researchers at Demos. Download publication (pdf, 56 pages, 2-sided) In an article in The Guardian, Leadbeater makes the report more concrete and provides this summary of his approach:
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24 December 2007
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The report “User-driven innovation: when the user makes the difference” aims to clarify the awareness and use of user-driven innovation in the Nordic countries.
The authors — a group of students from the Norwegian University of Science And Technology (NTNU) — have contacted numerous companies and experts in their effort to show the variety and diversity of the awareness and use of user-driven innovation among Nordic countries. Although the report has a professional graphic design, the same cannot be said for the style of writing — which betrays its student project origins — and for the quality of the English. In the report’s first part the student authors introduce the term user-driven, its relation to other types of innovation and the diversity of the definitions. The history of user-driven innovation is also presented. The report then continues with an overview of which companies in the Nordic countries have utilised knowledge of their users in developing new products and services, including a shortlist of success stories. Featured companies are Electrolux (Sweden – white goods), Lego (Denmark – toys), Coloplast (Denmark – medical products), Nokia (Finland – mobile phones), Laerdal Medical (Norway – basic and advanced life support training products and emergency medical equipment), Tomra (reverse vending machines), Trolltech (Norway – computer software), Plastoform AS (Norway – Nordic Seahunter), Funcom (Norway computer and console games), Deuter (Germany – backpacks, suitcases and bags), Sweet Protection (Norway – protective sports clothing), Cycleurope (DBS) (Norway – bicycles), and HardRocx (Norway – bicycles). |
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17 December 2007
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Dr. Anthony Dunne and Fiona Raby are faculty members in the Design Interactions department at London’s Royal College of Art and have gained somewhat of a cult following for their provocative and future-scenario-based design work.
As authors of Hertzian Tales and Design Noir they are most responsible for popularizing the idea of Critical Design, where objects are used as tools for awareness and reflection upon issues largely surrounding the implications of existing and future technologies. Their work is in the permanent collections of the MOMA (NY) and the Victoria and Albert in London. Bruce M. Tharp of Core77 was able to catch up with them at the IDSA/ICSID conference in San Francisco where they presented a recent project that proposes robots with “fragile personalities.” Listen as they discuss the ideas behind their work, their dream project, their feelings about “Critical Design” after more than a decade, the relationship between their professional practice and the work of their students at RCA, and more. |
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14 December 2007
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NESTA, the UK’s National Endowment for Science, Technology and the Arts, well-known for its emphasis on user-led innovation, has published three research reports [blog post] on the attributes of innovative cities and the importance of building effective regional coalitions for innovation.
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12 December 2007
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Nicolas Nova, user experience and foresight researcher working at the Media and Design Lab (EPFL) and at the near future laboratory, is currently in Brussels where he gave a talk yesterday at iMal, a brand new center for digital cultures and technology.
The presentation entitled “Device art as a resource for interaction design and media art” was about the fading boundaries between interaction design, new media art and academic research. The hybridisation of digital and physical environments (through locative media, urban displays, augmented reality or mobile games) is explored by a large variety of people and institutions, not only engineers and academic researchers but also artists and designers. The talk looked at why the projects from the new media art/interaction design/device art are relevant and what they tell about the design of future technological artifacts. iMal is the first Center for Digital Cultures and Technology in Brussels, a new place of about 600 square metres for the meeting of artistic, scientific and industrial innovations. The 2007/2008 programme of iMAL, an initiative of the French speaking community of Belgium, will propose basic and advanced workshops (i.e. on locative media, RFID, Ubicomp and the Internet of Things, urban electronic acts thanks to the support of VAF), regular concerts & performances, a series of conferences on Arts/Sciences, a series of meetings between innovating companies and creative peoople, and the first Dorkbot Brussels meetings. Download presentation (pdf, 20 mb, 38 slides) |
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11 December 2007
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It took my quite some effort to schedule an interview with Hilary Cottam, UK Designer of the Year 2005 and former director of RED [archive site], the meanwhile closed innovation unit of the UK Design Council, and now one of the founding partners of Participle. But it was worth it.
Participle (which now finally has a webpage) is a new social enterprise designing the next generation of public services, with a focus on the big and seemingly intractable social issues of the 21st century. The two other Participle co-founders are Charles Leadbeater, the internationally renowned thinker and innovator, and author of the book We-Think, and Colin Burns, designer and formerly the CEO of IDEO London. The initiative is supported by NESTA, where Participle has its offices. In the 30 minute interview which covered as much ground as a normal person can do in 60 minutes – Hilary is a fast talker – we discussed many of the areas that are dear to this blog, including co-creation with end-users, the power of design to transform public services and provide new approach to address seemingly difficult problems such as diabetes, and how to constructively deal with an ageing population. She also talks about her new Participle venture of course. The interview was published on the website of Torino World Design Capital, where the author of this blog provides monthly contributions. |
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6 December 2007
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Business Week profiles Anne Kirah, former design anthropologist at Microsoft, and now Dean of the new Danish school called 180°academy, where she is “shaking managers out of their traditional ways of doing things and forcing them, perhaps for the first time, to understand their customers’ cultures and to discern their needs.”
(Kirah has been featured before on this blog and also been interviewed by me last year.) |
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